Finland-based artist and writer exploring post-AI visual culture through in-camera abstract photography.
My photographs made with camera movement are often described as painterly and compared to Abstract Expressionism. The resemblance is real. By itself, it explains nothing.
This essay considers what disappears when an abstract photograph is explained primarily through its similarity to painting. What looks like a brushstroke may instead be a record of a changing relationship between camera, light, and time.
Featured in the Full Frame August Report
As camera movement becomes more familiar, there is a temptation to keep producing rich, complex surfaces. This time, I intentionally went in the opposite direction: one patch, just a few fields of color, and a lot of empty space.
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One image records what I saw. The other records what happened when I stopped treating the camera as a tool of description and started using it as a tool of gesture.
(more…)Intentional Camera Movement (ICM) is the technique I work with most extensively, but using it also made me question how little of it has been clearly defined beyond camera settings and visual effects.
This three-part series of articles for Fstoppers was my attempt to understand and systematize the technique from within my own practice: where effect ends and technique begins, what allows an image to survive camera movement, and why ICM still struggles for legitimacy as a photographic form.
Read more about Understanding ICM
Where there should be so much, there is nothing. No traffic, no sea or islands, no visible sky or sun, almost no color. Just a still, lost highway.
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The camera movement follows the rhythm of the architecture, shifting the street into abstraction while leaving fragments of the visible world intact.
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Most photographers reach a point where making technically better pictures no longer changes much. The camera works, your technique is solid, and the world starts to look familiar. One way out has little to do with photography. Time spent with modern painting changes what you notice before you press the shutter by exposing decisions the camera normally makes for you without asking.
